By showing what happens between sex, it humanises the character and her relationship to her work conditions.
Sex in Sinema
Sinemalari tells us why screen sex needs shaking up. As a year-old I was an angry anti-porn activist, organising strip-club blockades, spraying sex-shop windows. Later I was making porn myself, but independent feminist porn.
At university I made a study of frequently viewed porn clips on the net. The male body and face is mostly cut out, besides the dick of course. The men were described as huge, the women as tiny.
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She looks into the sinemalari and communicates with the viewer — he never does. With Pleasure, I wanted to sex the living people behind these stereotypes and examine social structures and mechanisms that extend far beyond sexy women maked porn world. The reason our culture today is so obsessed with sex is because there are a lack of relevant references.
So the main question is not how and what to shoot, but how and what not to.